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The Cyborgian Living Room, a captivating segment within the "Technological Intimacies" series, transcends conventional boundaries to explore intriguing concepts and the intersection of technology with our daily lives. Set within the confines of a living room, this particular artwork features a humanoid cyborg, exuding an eerie calmness yet simultaneously unsettling. Positioned in a state of both charging and stillness, the tableau vividly conveys a narrative of actions undertaken in confusion, hinting at a lurking danger within the scene. This juxtaposition invites the observer to delve deeper into the complexities of the human-technology relationship portrayed in this intimate setting.
My work focuses on contemporary concepts of post-human condition, new materialist feminism, transhumanism, queer theory, and the notion of ecology. It consists of digital spatial installations, chimeric forms, and technologically mediated materialities, largely composed of digitally processed analog models using the 3D scanning method. My practice is non-anthropocentric* and is based on the relationship between different embodied and incarnate entities, as well as the direct interaction and interdependence of these entities within broader systems (ecologies, technologies) in which they exist. It positions itself between the natural and the artificial, body and spirit, and often between a reality and a fictional scenario. It seeks to understand contemporary technological and biological complexity, expressing an alternative desire in relation to the concept of transformation. The transformed creatures and spatial environments aim to place the viewer in positions of understanding and identification and create a narrative with gendered, symbolic, and social extensions. *The term refers to the concept of humanism as it has been constituted in classical Western philosophy.
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